Ink on paper
John G. LeMond
No. 1 in the “Trinity Series"
水墨設色紙本
李嘉恩
「三一系列」之作品一
李嘉恩
「三一系列」之作品一
Collection of TFSCC, 2008
道風山基督教叢林藏品 2008
The title of this work is "Trinity." It represents the dynamic movement of the Trinity (Father, Son and Holy Spirit) within the life of the individual and out into the world, filling the entire cosmos. While the Christian Trinity has traditionally been associated with the male gender (Father/Son), "Trinity" intentionally avoids the human form, transcending the limits and prejudices of gender. The shapes move; they interact with each other and with viewer. The circles with dots on the end of each arm represent "eyes," both seeing all and participating in all that is seen.
The title of this work is "Trinity." It represents the dynamic movement of the Trinity (Father, Son and Holy Spirit) within the life of the individual and out into the world, filling the entire cosmos. While the Christian Trinity has traditionally been associated with the male gender (Father/Son), "Trinity" intentionally avoids the human form, transcending the limits and prejudices of gender. The shapes move; they interact with each other and with viewer. The circles with dots on the end of each arm represent "eyes," both seeing all and participating in all that is seen.
畫作標題是「三一」。畫作要演繹三一上帝﹝聖父、聖子和聖靈﹞，在個體生命裡，到世界之中，至充滿整個宇宙的動態。當傳統把基督宗教的三一上帝與「陽性」（父親或兒子）聯想一起，此畫「三一」卻刻意避免人形符號，超越「性別」帶來習以為常的偏見和有限視域。畫中形狀移動，互相牽引，並與觀眾互動。形狀末端的圓形小點代表「眼睛」，喻意察看一切，並且參與在一切所看見的。(李嘉恩撰‧陳婉萍譯)